Ewelina Nowakowska works under the moniker The Concrete Muse, making photographs and mixed-media works that find in industrial surfaces what is usually reserved for skin: vulnerability, persistence, the trace of pressure over time. Born in Gdańsk and having lived across Poland, Sweden, and the United States, she has spent a life reading landscapes shaped by different histories and climates. Concrete was always there — underfoot, structural, indifferent — until it wasn't. Until it became a mirror. Her practice moves between intimate abstract photography and direct work with concrete on canvas. Both are acts of attention: the camera finding what the eye rushes past, the canvas becoming a site where material is both subject and process. At the center of this work is apophenia, the human impulse to find pattern and meaning in what is random, scarred, and worn. What emerges is not abstraction for its own sake, but a quiet insistence that overlooked surfaces hold something true.