Black & White Photo Contest
Celebrating Today’s Most Exceptional Black & White Images
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CONGRATULATIONS TO ALL THE WINNERS
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+7
Bill Pack
CarScapes
The sensual lines and curves of the cars featured in "CarScapes" are not merely functional or utilitarian; they are transformed into objects of beauty and desire. I draw parallels between the artistry of car design and the beauty found in natural landscapes and the human body.
Antonio Flores
The last gigant of the hell
From the depths of hell emerges a gigantic and imposing horned beast. BOOM! sounds and everything is reached by the flames and sparks that burn the body of a couple of men who stay under it to receive the shower of sparks and the fury of the bull as part of its ritual and offering blood to the fire.
Pedro Luis Ajuriaguerra Saiz
Buzzer midge
Chironomus plumosus mosquito it is a mosquito that does not bite, its mouthparts are very reduced and, in addition, it does not feed either. This family is widely distributed in the world. The name "plumosus" is referred to by the pair of feathery antennae that stand out in the male.
Category Winners:
Abstract
Pat Corlin
A Tributary In The Abstract
A Tributary In The Abstract, where the river meets the sea …
Sergio Capuzzimati
Abstract
Ching Kai Lee
Abstract
Lee Nordbye
Abstract
Category Winners:
Aerial
Julie Kenny
Tree of Life
This aerial perspective of a fallen tree captures the webbed network of sheep tracks which provides a sense of cyclical change and renewal. The overall effect is one of renewal, harmony and interconnection. It's a reminder of the complexity of nature, beginnings and endings and the cycling of life.
Julie Kenny
Aerial
Tomáš Neuwirth
Aerial
Julie Kenny
Aerial
Tomáš Neuwirth
Aerial
Category Winners:
Architecture
Hilda Champion
Eye of the Sea
Copenhagen’s marvelous aquarium looking at you.
ALBERTO Magaglio
Architecture
Garnet Köning
Architecture
Ichio U
Architecture
+7
Andrea Mori
Architecture
Christian Kantner
Architecture
Category Winners:
Conceptual
+7
Kris Desautels
Remnants
For this series I leaned into my minimalist sensibilities by focusing on the small details of the human form and juxtaposed them against a more broad context to suggest that the subject isn't whole. I believe the details have enough impact to make the images complete.